Vernissage
In The Body Lies The Truth
With Billy Gibney, Arthur Lemonier, Sam Lipp, Graham Silveria Martin, Alejandra Moros, Justin O’Brien, Nathan Ritterpusch, Zoe Schweiger & Liu Xin
Curated by Thom Oosterhof
IOMO Gallery is pleased to present ‘In the Body Lies the Truth’, a group exhibition on view 14 May – 13 June 2026, curated by Thom Oosterhof featuring works by Billy Gibney, Arthur Lemonier, Sam Lipp, Graham Silveria Martin, Alejandra Moros, Justin O'Brien, Nathan Ritterpusch, Zoe Schweiger, Liu Xin.
In an age of ‘mouthpieces’; where screens can distort, voices can be scripted, and algorithms curate our very reality, where do we find a truth that is untainted? When language is easily weaponized and the image is infinitely malleable, we are left with one reliable archive, the body. As Constantin Brâncuși observed, “What is real is not the external form, but the essence of things.” This exhibition at IOMO Gallery explores that essence. The truth that reveals itself not through words, but through the involuntary language of the flesh.
While the mind can be coerced into silence, the body remains a persistent and honest witness. It speaks through the micro-expression, the unbidden twitch of an eye, and the quiet history written in a scar. These are the ‘tells’ of the human condition, natural markers of our lived experience that no filter or authority can fully erase.
Brâncuși worked to reduce form to its very essence. Removing all of which that was unnecessary for recognition, understanding and ultimately truth. This exhibition examines the body as this vehicle for reduction. By removing the ‘noise’ of speech, or context and of personality, what remains is the essence of the form. Humans are experts at masking that which we deem inappropriate, or even telling, however the body has not, and may never, learn how to withhold such truths. By returning our attention to the details made available to us, with correct observation a whole other world is revealed.
In Romanian culture, there exists the ancestral narrative of the 'ia'. A traditional blouse used to adorn its wearer in memory, sacred geometry and protection. Much like the body, it carries patterns and stories that have travelled generations. A vehicle of sorts for the passing of wisdom. In a way, the 'ia' serves as a manual for the body, a code of identity that exists beyond the reach of the screen.
Through the works in this exhibition, we invite an inquiry. We look beyond the polished façades of modern life to find narratives that appear only through bodily introspection, stories deeper than words could ever be. While society may demand a constant, agile performance, the body remains our most honest anchor.
Thom Oosterhof
Featured image: Billy Gibney, Vestige I, 2026, Oil, volcanic rock and marble dust on canvas. Distressed aluminium frame. 32 x 52 cm (detail)